Bio
Noel Yardley is a ceramic artist based in Toronto. He studied at Nelson Mandela University in South Africa, graduating in 1998. In his ceramic work, Yardley applies experimental ceramic techniques, pop art culture influences to produce sculptural pieces. He often draws inspiration from intricate forms and patterns found in nature, from the shape of landscapes, the fluidity of water carving through rock to the subtle, repetitive patterns of water or wind moving over sand. He has exhibited work at the Design Indaba (Cape Town), 100% Design (London) and Object en Maison (Paris). Yardley is in private collections in South Africa, Germany, Italy, the USA and Canada. Currently, Yardley practices from a studio located in the East End of Toronto.
Artist Statement
My artwork is inspired by my surroundings and pop art. My imagination is ignited by the intricate geomorphic forms and patterns found in nature. I draw from the dynamic forces that shape our landscapes, from the fluidity of water carving through rock to the subtle, repetitive patterns of growth and erosion. Through a dialogue with these elemental forms, I explore the complex interplay between the natural world and human perception. The pop art movement informs my use of colours and images. I find that everyday objects can be a source of creative expression and push me to approach clay in new and inventive ways.
I use a variety of techniques like throwing, hand building, sculpting sometimes cutting or deconstructing to get the desired effect. I like to push the boundaries of what clay can do, as this opens up new possibilities.
I am heavily inspired by ceramic artists like Peter Voulkos for his trailblazing sculptural pieces, often cutting and building as he goes along. I admire Dame Lucie Rie and Ruth Duckworth for their intricately thrown forms and expressive use of glazing chemistry and texture. Lastly, Magdalene Odondo, for her unique hand-building skills, particularly how her pieces appear deceptively simple and yet convey complexity and depth.
