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Red Head Gallery

401-115 Richmond Street West
Toronto, ON, M5V 3A8
(416) 504-5654

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Red Head Gallery

  • CURRENT
  • UPCOMING
  • PAST
  • ARTISTS
    • Jim Bourke
    • Geoffrey L. Cheung
    • Christine Dewancker
    • Tonia Di Risio
    • Soheila Esfahani
    • James Fowler
    • Grant Heaps
    • Gillian Iles
    • Alexander Irving
    • Sarah Kernohan
    • Ian Mackay
    • David McClyment
    • Laura Millard
    • Tazeen Qayyum
    • Amin Rehman
    • Lois Schklar
    • Pearl Van Geest
    • Elaine Whittaker
    • Associate Members
    • Creative Series
  • SUBMISSIONS
    • SUBMISSIONS
    • Volunteers
  • About
    • ABOUT
    • CONTACT
  • NEWS
  • Shop The Shelf
    • SHOP THE SHELF
    • FRIENDS OF THE GALLERY
   My Place Is Placeless,  2013 Laser-etched wooden shipping pallets

Soheila K. Esfahani

Soheila K. Esfahani grew up in Tehran, Iran, and moved to Canada in 1992. She received her BA in Fine Arts from the University of Waterloo and her Master of Fine Arts degree from the University of Western Ontario. Esfahani has received numerous awards and grants including the Research/Creation Grant in Fine Arts through Social Sciences & Humanities Research Council of Canada. As part of the SSHRCC grant, Esfahani is currently a participant in a research/creation group entitled Immersion Emergencies and Possible Worlds: Engaging Water as Culture and Resource through Contemporary Art. Esfahani’s work is represented in public and private collections including the Canada Council’s Art Bank. She works from her studio at Kitchener’s artist–run centre, Globe Studios.

Esfahani’s art practice navigates the terrains of cultural translation with a specific focus on translational activities that occur in the art practices of culturally diverse contemporary artists within the context of Western society. Her work explores the processes involved in cultural transfer and transformation by exploring the theoretical frameworks of Walter Benjamin’s concept of translation as a departure from the original and Homi Bhabha’s notions of the Third Space and in-betweeness. In her art practice, Esfahani explores the notion of Third Space not only as an abstract concept, but also as an actual site produced in installation art, where the viewer has to negotiate the artist’s intervention.

In her recent installations, Esfahani often incorporates shipping pallets to refer to the concept of translation as the transfer of culture. Cultured Pallets series are transient installations which grow out of her ongoing process of marking shipping pallets with an email address ( culturedpallet@yahoo.com) and a variety of collected motifs and designs. The cultured pallets are then sent back into circulation. She completes the project by tracking the pallets after they leave the exhibition and engaging in correspondence with the individuals who find them. These installations focus on the notion of translation in its etymological meaning as the process of ‘carrying across’ and employ shipping pallets as metaphors for the transfer of units of ‘culture.’

Soheila Esfahani's work can be viewed online at: www.soheila.ca

Soheila K. Esfahani

Soheila K. Esfahani grew up in Tehran, Iran, and moved to Canada in 1992. She received her BA in Fine Arts from the University of Waterloo and her Master of Fine Arts degree from the University of Western Ontario. Esfahani has received numerous awards and grants including the Research/Creation Grant in Fine Arts through Social Sciences & Humanities Research Council of Canada. As part of the SSHRCC grant, Esfahani is currently a participant in a research/creation group entitled Immersion Emergencies and Possible Worlds: Engaging Water as Culture and Resource through Contemporary Art. Esfahani’s work is represented in public and private collections including the Canada Council’s Art Bank. She works from her studio at Kitchener’s artist–run centre, Globe Studios.

Esfahani’s art practice navigates the terrains of cultural translation with a specific focus on translational activities that occur in the art practices of culturally diverse contemporary artists within the context of Western society. Her work explores the processes involved in cultural transfer and transformation by exploring the theoretical frameworks of Walter Benjamin’s concept of translation as a departure from the original and Homi Bhabha’s notions of the Third Space and in-betweeness. In her art practice, Esfahani explores the notion of Third Space not only as an abstract concept, but also as an actual site produced in installation art, where the viewer has to negotiate the artist’s intervention.

In her recent installations, Esfahani often incorporates shipping pallets to refer to the concept of translation as the transfer of culture. Cultured Pallets series are transient installations which grow out of her ongoing process of marking shipping pallets with an email address ( culturedpallet@yahoo.com) and a variety of collected motifs and designs. The cultured pallets are then sent back into circulation. She completes the project by tracking the pallets after they leave the exhibition and engaging in correspondence with the individuals who find them. These installations focus on the notion of translation in its etymological meaning as the process of ‘carrying across’ and employ shipping pallets as metaphors for the transfer of units of ‘culture.’

Soheila Esfahani's work can be viewed online at: www.soheila.ca

   My Place Is Placeless,  2013 Laser-etched wooden shipping pallets

 My Place Is Placeless, 2013
Laser-etched wooden shipping pallets

  My Place Is Placeless  (detail), 2013 Laser-etched wooden shipping pallets

My Place Is Placeless (detail), 2013
Laser-etched wooden shipping pallets

  My Place Is Placeless  (detail), 2013 Laser-etched wooden shipping pallets

My Place Is Placeless (detail), 2013
Laser-etched wooden shipping pallets

 Cultured Pallets, 2010 UWO altered wooden pallet 48" x 40"

Cultured Pallets, 2010
UWO altered wooden pallet
48" x 40"

 Portable Culture: Canada Goose (Detail), 2017 Acrylic & laser-etching on found object on wooden panel 12″ x 24″

Portable Culture: Canada Goose (Detail), 2017
Acrylic & laser-etching on found object on wooden panel
12″ x 24″

 Portable Culture: Herringbone Pallets, 2017 Mixed media on wooden panel 24″ x 24″

Portable Culture: Herringbone Pallets, 2017
Mixed media on wooden panel
24″ x 24″

 Portable Culture: Maple Leaf (Detail), 2017 Acrylic & laser-etching on a found object on wooden panel 12″ x 24″

Portable Culture: Maple Leaf (Detail), 2017
Acrylic & laser-etching on a found object on wooden panel
12″ x 24″

 A Trace of Traceless: Honolulu, 2016 Acrylic & laser-etching on a found object on wooden panel 8″ x 6″

A Trace of Traceless: Honolulu, 2016
Acrylic & laser-etching on a found object on wooden panel
8″ x 6″

 A Trace of Traceless: Glasgow, 2016 Acrylic on laser etched wooden panel & found object 8" x 6"

A Trace of Traceless: Glasgow, 2016
Acrylic on laser etched wooden panel & found object
8" x 6"


Friends Of The Gallery

Greg Johns

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Eleanor Misener

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Annabelle Kennedy

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Frank DeFelice

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Peter Kinch

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Nick Selemba

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Tanya Selemba

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Niyash Mistry

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Vicki Rodgers

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Diya Srinivasan

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Valerie Zwolak

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Greg Johns ● Eleanor Misener ● Annabelle Kennedy ● Frank DeFelice ● Peter Kinch ● Nick Selemba ● Tanya Selemba ● Niyash Mistry ● Vicki Rodgers ● Diya Srinivasan ● Valerie Zwolak ● Greg Johns ● Eleanor Misener ● Annabelle Kennedy ● Frank DeFelice ● Peter Kinch ● Nick Selemba ● Tanya Selemba ● Niyash Mistry ● Vicki Rodgers ● Diya Srinivasan ● Valerie Zwolak ●

Become A Friend of the Gallery - Learn More


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