Associate members benefit from The Red Head Gallery’s continued role as a forum for dialogue and exchange about contemporary art practices through exhibitions, and member events. The Red Head Gallery facilitates a sense of community: to meet other members involved in the visual arts, to network, socialize, and to create discourse.

J. LYNN CAMPBELL Model (No. 5), 2002 Copper wire fabric, 34-gauge brass wire Flexible metal wall mount 35" x 24" x 15"

Model (No. 5), 2002
Copper wire fabric, 34-gauge brass wire
Flexible metal wall mount
35" x 24" x 15"

MARALYNN CHERRY  River Soundings , 2013 Acrylic paint, carving, rasping and sanding on birch ply 24” x 24”

River Soundings, 2013
Acrylic paint, carving, rasping and sanding on birch ply
24” x 24”


J. Lynn Campbell is a Toronto-based artist educated at the Ontario College of Art & Design, with independent studies in France, Open Studio Toronto, Humanities at the University of Toronto, and Philosophy at York University. Campbell’s practice extends from two-dimensional collage to three-dimensional construction and site-specific installation. Her use of materials and methodologies emphasize the working process, recognizing material as tactile image and subject. Using symbolic references as a means to explore the intrinsic nature of being in relation to external circumstance, her constructions query the complexities of the human condition. Campbell has exhibited in the Toronto, Ontario regional galleries, and Europe. Her work is included in private, public and corporate collections.

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LOOP Gallery Member Profile


Through a series of installation works Maralynn explores patterns and forms in the landscape, while using a variety of materials that simulate the morphological transitions of nature in relation to the body.  She sets up theatrical spaces where painting, textiles, sculpture, layered texts and photo/video works with sound create a more tactile and visceral presence of natural forms in transition.

Maralynn Cherry is a non-status Odawa artist, writer and independent curator who taught for 14 years in Cultural Studies at Trent University and was the Curator at the Visual Arts Centre of Clarington for seven years. She continues to write and explore sites, mapping natural histories of the landscape through her Ecological Diaries at Cataraque Creek in Kingston to more recent documentation of rivers from the head waters of the Oak Ridges Moraine.

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Philip Hare
TERROR!$t, 2017
Installation view at the Red Head Gallery

LYNN CHRISTINE KELLY  Dreamscape ( diptych) Oil on linen 72” x 84"

Dreamscape (diptych)
Oil on linen
72” x 84"


Philip Hare is a multidisciplinary artist, working primarily with textiles.  His work examines themes relating to sexuality, gender and power, often through a very personal lens.  Hare’s preferred materials include felt and embroidery thread, as well as found objects that range from clothespins to tampons.  His hand sewn assemblages are usually quite simple but often develop into large installations.  Sometimes Hare himself becomes a part of the work.

Philip Hare grew up in a big family in rural Ontario (which may explain his proclivity for artist collectives).  He moved to Toronto in 1979 and has an established artistic practice there.  He received a diploma in Graphic Design from Sheridan College A.A.T. and has studied at Ontario College of Art and Design and Open Studio.  Hare was a member of Propeller Centre for the Visual Arts from 2006 to 2016 and is an active member with the Red Head Gallery.

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“Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.” - Herman Hesse

Multifaceted, Lynn Christine Kelly’s work involves painting, drawing, sculpture, and installation.  All of the work lacks an overtly human presence.  A product of her Irish heritage, she is interested in the ancient myths and druidic attitudes about trees.  A product of her upbringing in the interior of British Columbia with a father engaged in the forest industry, Kelly is dedicated to the preservation of trees and forests. “Trees are living things, filled with the essence and energy of Mother Earth, and possessing an aura of peace and power”, she says. And she believes that without an actual physical connection to such energies, we become less than we should be.  

Kelly received her MFA from the Chelsea College of Art and Design, London in 2008 and her BFA, with Distinction, from the Ontario College of Art and Design in 2006. She exhibits nationally and internationally, has work in Canadian corporate collections as well as private collections worldwide, and has received numerous grants from the Ontario Arts Council.

In her travels to various corners of Canada and the world she is drawn to the natural environment, constantly taking photos of majestic, interesting, or fanciful trees, their roots, and the varying surroundings.  She then takes these pictures and studies them, combining ideas and images from different locations to create a hybrid environment that may exist somewhere or may not exist anywhere at all.

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GABRIELLE DE MONTMOLLIN  Crook , 2010 Mixed media on paper 6 x 24”

Crook, 2010
Mixed media on paper
6 x 24”

ROBIN PACIFIC Garment workers in Dhaka at the exhibition of their work, November, 2015.  Photo by Mumit Mahbib.

Garment workers in Dhaka at the exhibition of their work, November, 2015.
Photo by Mumit Mahbib.


Gabrielle de Montmollin began her career in television and film before switching her interest to still photography. For many years she worked exclusively with black and white film photographing throwaway plastic toys and dolls arranged in constructed, fantasy settings. She developed darkroom manipulations using extreme bleaching and painting and drawing on paper negatives. Since realizing that digital photography did not provide her with the same creative possibilities she has been working with mixed media blending painting, drawing and montage elements with digital prints.

“My art is based on imagination; I am interested in telling stories, play and mystery,” she writes in her artist statement. At times, in addition to her personal imaginings she works to find visual expression for her feelings about social justice issues and politics, as she did in her series, Stephen Harper Hates Me exhibited at The Red Head Gallery in May 2013. 

Her series We Shall See What We Shall See, exhibited at The Red Head Gallery in May 2016, further explored the Canada we live in, this time through the medium of lenticular prints and black and white photographs.

Gabrielle de Montmollin has exhibited in solo and group exhibitions in Canada, the United States, Belgium, Italy, France and The Netherlands.

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Robin Pacific's work has spanned thirty years and a wide variety of media.  She has produced artworks encompassing painting, drawing, video, installation, performance, and numerous community based collaborations. 

She is currently working on TheFAST Campaign, a series of art projects with, and in support of, garment workers in Bangladesh, culminating in a consumer campaign for FAIR living wage, ADULT labour only, SAFE working conditions and paid overTIME.

In 2013 Robin completed a Masters in Theological Studies at Regis College in the Toronto School of Theology, and currently has a one-day-a-week practice as a Spiritual Director. She also holds a PhD in English Literature from York University.

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XIAOJING YAN  Spirit Cloud,  2016 - 2017 Freshwater pearl, filament, aluminum  128” x 118” x 44”

Spirit Cloud, 2016 - 2017
Freshwater pearl, filament, aluminum
128” x 118” x 44”


Xiaojing Yan is a Chinese-Canadian artist working and living in Toronto area, ON.  She received her M.F.A on Sculpture from Indiana University of Pennsylvania, USA and B.F.A from Nanjing Arts Institution, China. As an artist migrating from China to North America, both her identity and her work pass through the complex filters of different countries, languages, and cultural expectations.

Yan’s work has been exhibited in galleries and museums internationally. Yan has exhibited at The Latcham Gallery, Stouffville; Mississauga Art Gallery, Mississauga; Lonsdale Gallery, Toronto; TRUCK Contemporary Art, Calgary; Plug In Contemporary, Winnipeg; Surrey Art Gallery,Surrey; Glenhyrst Art Gallery of Brant, Brantford; Artspace, Peterborough; and many more. Her work was included featured at Art Toronto twice in 2012 and  2014. Varley Art Gallery in Markham, Ontario will present her major solo exhibition in 2017; and Suzhou Museum will present her first solo museum exhibition in China in 2018.

Yan’s work has been included in many collections, Cloudscape piece is recently collected by Seneca College at Newnham Campus, Toronto. Moon Gate, a public sculpture, is recently commissioned by Jinji Lake Art Museum, Suzhou, China. 

Yan is also a recipient of numerous awards and grants, including the 2014 Outstanding Young Alumni Award from Indiana University of Pennsylvania, the 2013 Mandarin Profile Awards of Fairchild TV,  Project Grant from the Canadian Council for the Arts, and The Chalmers Arts Fellowship and Mid-career Grant from Ontario Arts Council.

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